Art & The Nebbish

I just stumbled across Kelly Lasserre’s art blog.  Her work is fun and pleasant.  Some is cute, some quirky, some just is what it is.  It has a delightful childlike quality.

Which reminds me of when I was young, trying my own hand at drawing, and how plagued I was by the little voice in my head that constantly demanded straighter lines, more perfect circles and, later, more life-like renderings of people and trees and things.  It’s a voice I’m still plagued by, which is why I only rarely try my hand at artistic work.  I focus too much on the technical side of my work, and not enough on the creative.

The vast majority of children suffer from this same lack of confidence.  They put pen to paper and create art but fail to recognize it as such.  Papers are crumpled up, tossed in the garbage, and our children go on to become lawyers, engineers, and hot dog vendors.  And pimps and presidents.

No revelations this morning, I suppose.  But I am thankful for people like Kelly.

The Seagull’s Cry

It’s snowing this morning.  Real, honest-to-god, sticking-to-the-ground, snow.   I wasn’t expecting it but there it is, a light dusting just beginning to accumulate.  It will be the first snow our son has ever seen or touched, and so today will be special.  Or so I hope once he wakes up.  Right now he is asleep in his crib while I surf the ‘Net here in my office.  I’m listening to the baby monitor from which emerge the static-ridden sounds of waves and seagulls.  These sounds come not from some inland sea that we denizens of Central Oregon have kept hidden from the rest of the world, but merely from the clock radio in his bedroom.  It has a white noise feature that we set to “Ocean” when we put him to bed.  And so I hear the same waves wash onto shore every two  seconds, and the same lone seagull cries every four seconds.

Swish, swish, “scree!”  Swish, swish, “scree!” Over and over.

It is repetitive and hypnotic, to the point where I find myself wondering if maybe, just maybe, what I’m hearing is not actually the clock radio at all.  Perhaps behind my son’s closed bedroom door some strange portal has opened onto a distant shoreline, on a faraway world.  If I go into the hall, will I see a bright light seeping ‘neath his door, the glow from a golden gateway crackling with awesome power that has somehow appeared in the middle of his room?  And dare I discover where it leads?  Will I see glittering, sandy, beaches awash with phosphorescent kelp and ominous tide pools under a strange night sky? Will there be alien seabirds gliding against huge, twin moons?  I sit immobilized, afraid of what I may find, afraid that maybe this portal is some quasi-quantum-mechanical thing: if I look upon it, only then will it become real.

Swish, swish,”scree!” Swish, swish, “scree!”  I wait nervously, afraid my seagull will suddenly go quiet upon hearing some monstrous creature emerge from deep, dark waters.

Nor do I doubt there are scary beasts in that room. I know the sounds our child makes when he sleeps, the coos and fussing that come from a wet diaper, or hunger, or just general discomfort. But these always start quietly as he rustles around, slowly emerging from sleep, and get louder and more insistent until we finally rouse ourselves to go look in on him.  But sometimes, not every night, in the dead silence of a deep sleep he will scream at the top of his lungs, just once, and then go back to sleep with nary another sound.

Those moments terrify me.  They bring back long-forgotten, natal, memories of when I was a child, sleeping alone in the dark, waiting for the bogeymen to come out and do unspeakable things.  I remember how real those monsters were, their presence under the bed and in the closet a tangible thing, filled with gamey fur and claws that went clickity-clack.  And the monsters have returned, in my son’s room somewhere, unseen and unseeable by his parents.

I am paralyzed.  My rational self justifies this cowardice, ” it is simply the dream of a child, everything is fine,”  but in a small corner of my mind, I know the truth.  It is because I’m afraid of what I’ll find.  Opening that door just might make it all real and unleash the horrors beyond.  What then???

And why does my son only scream once? Is it even him screaming?

The snow is a thick blanket on the ground now and I am holding my breath, waiting for a seagull to cry.

2nd Amendment… amendment

You can protect yourself with a gun…  well, maybe not so much.

Better Inkscape Palettes

Inkscape is a great vector drawing tool, and perhaps my favorite opensource app. One reason being that it is much more polished than most opensource applications (I’m looking at you Gimp and OpenOffice!) But one area that is noticeably lacking is its set of default palettes. In a word, they’re horrid. Of the 18 available, all but one or two are so specialized as to be useless to 99% of users.

I decided to do something about this on my system, so I started by moving the old palettes out of the way so the wouldn’t show up in the palette menu.  On Mac, I did this by typing the following from the command line:

cd /Applications/Inkscape.app/Contents/Resources/palettes
mkdir old
mv *.gpl old

With all that old junk out of the way, you can now google for gimp palettes (Inkscape uses the Gimp color palette format) to find custom palettes that suit your taste.  I found Colorzilla to be a good starting point.  Just download your favorite “gpl” files and place them in the ‘palettes’ directory, and then restart Inkscape.

In my installation, I currently have the Visibone2 and Pantone palettes, plus custom palettes that I made for the Best of Kuler [gpl file] and Best of ColourLovers themes [gpl file].

BTW, It’s worth pointing out one of the annoying little characteristics of Inkscape is that it insists on adding a “X” (no color) chit to these palettes, which rotates all the colors by one column from where the palette creator intended them to be.   I’ve accounted for this in my Kuler/ColourLover palettes, but expect other palettes to look a bit off.  (As a workaround, you can edit the palette files to comment out the first color – not ideal, but may be preferable depending on the palette.)

Me a wuss? Yeah, pretty much

So, next time you see me out riding my bike and I come to a stoplight and do my little “look at me, I’m stopped, but not putting my foot down!” track-stand trick, just remind me of this video and call my out for the wuss that I am, okay?